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Encounter – Looking Into Sewing, 1998/2002
Encounter – Looking into Sewing │ 만남 – 바라보며 바느질하기
Vibacrome Print
212.1 x 126 cm
Edition of 5 plus 2 artist's proofs
Photo by Lee Jong Soo
Performative Sculpture in 1988
A Needle Woman – London (England)
A Needle Woman – Tokyo, Shanghai, Delhi, New York, Mexico City, Cairo, Lagos, London │ 바늘여인 – 도쿄, 상하이, 델리, 뉴욕, 멕시코 시티, 카이로, 라고스, 런던
1999-2001
Performance Video
8 channel, 6:33 loop, silent
Edition of 4 plus 2 artist's proofs
A Needle Woman – Lagos (Nigeria)
A Needle Woman – Tokyo, Shanghai, Delhi, New York, Mexico City, Cairo, Lagos, London │ 바늘여인 – 도쿄, 상하이, 델리, 뉴욕, 멕시코 시티, 카이로, 라고스, 런던
1999-2001
Performance Video
8 channel, 6:33 loop, silent
Edition of 4 plus 2 artist's proofs
A Needle Woman – Cairo (Egypt)
A Needle Woman – Tokyo, Shanghai, Delhi, New York, Mexico City, Cairo, Lagos, London │ 바늘여인 – 도쿄, 상하이, 델리, 뉴욕, 멕시코 시티, 카이로, 라고스, 런던
1999-2001
Performance Video
8 channel, 6:33 loop, silent
Edition of 4 plus 2 artist's proofs
A Needle Woman – Mexico City (Mexico)
A Needle Woman – Tokyo, Shanghai, Delhi, New York, Mexico City, Cairo, Lagos, London │ 바늘여인 – 도쿄, 상하이, 델리, 뉴욕, 멕시코 시티, 카이로, 라고스, 런던
1999-2001
Performance Video
8 channel, 6:33 loop, silent
Edition of 4 plus 2 artist's proofs
A Needle Woman – New York (USA)
A Needle Woman – Tokyo, Shanghai, Delhi, New York, Mexico City, Cairo, Lagos, London │ 바늘여인 – 도쿄, 상하이, 델리, 뉴욕, 멕시코 시티, 카이로, 라고스, 런던
1999-2001
Performance Video
8 channel, 6:33 loop, silent
Edition of 4 plus 2 artist's proofs
A Needle Woman – Delhi (India)
A Needle Woman – Tokyo, Shanghai, Delhi, New York, Mexico City, Cairo, Lagos, London │ 바늘여인 – 도쿄, 상하이, 델리, 뉴욕, 멕시코 시티, 카이로, 라고스, 런던
1999-2001
Performance Video
8 channel, 6:33 loop, silent
Edition of 4 plus 2 artist's proofs
A Needle Woman – Shanghai (China)
A Needle Woman – Tokyo, Shanghai, Delhi, New York, Mexico City, Cairo, Lagos, London │ 바늘여인 – 도쿄, 상하이, 델리, 뉴욕, 멕시코 시티, 카이로, 라고스, 런던
1999-2001
Performance Video
8 channel, 6:33 loop, silent
Edition of 4 plus 2 artist's proofs
A Needle Woman – Tokyo (Japan)
A Needle Woman – Tokyo, Shanghai, Delhi, New York, Mexico City, Cairo, Lagos, London │ 바늘여인 – 도쿄, 상하이, 델리, 뉴욕, 멕시코 시티, 카이로, 라고스, 런던
1999-2001
Performance Video
8 channel, 6:33 loop, silent
Edition of 4 plus 2 artist's proofs
A Beggar Woman – Lagos
A Beggar Woman – Lagos │ 구걸하는 여인 – 라고스
Performance Video
Single Channel, 8:50 loop, Silent
Edition of 4 plus 2 artist's proofs
A Homeless Woman – Cairo
A Homeless Woman – Cairo │ 집 없는 여인 – 카이로
Performance Video
Single Channel, 6:33 loop, Silent
Edition of 4 plus 2 artist's proofs
Bottari – Drawing the Snow
Bottari – Drawing the Snow │ 보따리 - 눈 그리기
Single Channel Video
6:23 loop, Silent
Edition of 6 plus 1 artist's proof
Bottari – Wrapping the Thunderstorm
Bottari – Wrapping the Thunderstorm │ 보따리 – 뇌우를 싸다
Single Channel Video
6:28 loop, Silent
Edition of 6 plus 1 artist's proof
Bottari – Alfa Beach
Bottari – Alfa Beach │ 보따리 – 알파 해변
Single Channel Video
6:18 loop, Silent
Edition of 4 plus 2 artist's proofs
Cities on the Move – 11633 Miles of Bottari Truck, 1998/2001
Cities on the Move – 11633 Miles of Bottari Truck │ 떠도는 도시들 – 11633마일 보따리 트럭
Duraclear Photographic Print in Lightbox
Large: 128 x 188.5 x 25.5cm
Small: 65 x 95.5 x 20.5cm
Edition of 5 plus 2 artist's proofs
Installation view(Bottaris closeup), The 24th São Paulo Biennale
Cities on the Move – 2727km Bottari Truck, 1997/2001
Cities on the Move – 2727km Bottari Truck │ 떠도는 도시들 – 2727km 보따리 트럭
Duraclear Photographic Print in Lightbox
Large: 128 x 188.5 x 25.5cm
Small: 65 x 95.5 x 20.5cm
Edition of 5 plus 2 artist's proofs
Performance in 1997, Production Still (Bottari in the Street) from Cities on the Move - 2727km Bottari Truck
Cities on the Move – 2727km Bottari Truck, 1997/2001
Cities on the Move – 2727km Bottari Truck │ 떠도는 도시들 – 2727km 보따리 트럭
Duraclear Photographic Print in Light Box
Large edition: 188.5cm x 128 x 25.5cm
Small edition: 95.5cm x 65 x 20.5cm
Edition of 5 plus 2 artist's proofs
Performance in 1997, Production Still Image (Artist Facing Mountain) from Cities on the Move - 2727km Bottari Truck
Bottaris, 1994/2001
Bottaris │ 보따리
Duraclear Photographic Print in Light Box
Large edition: 128 x 188.5cm x 25.5cm
Small edition: 65 x 95.5cm x 20.5cm
Edition of 5 plus 2 artist's proofs
Photo by Joo Myung Duck
Performance in 1994, Yangdong Village, Kyungju, Korea
Bottari – Waiting for the Sunrise
Bottari – Waiting for the Sunrise │ 보따리 – 일출을 기다리며
Single Channel Video
4:53 loop, Silent
Edition of 6 plus 1 artist's proof
Bottari – Throwing the Globe
Bottari – Throwing the Globe │ 보따리 – 지구를 던지다
Single Channel Video
2:20 loop, Silent
Edition of 6 plus 1 artist's proof
Bottari – Chasing the Fog
Bottari – Chasing the Fog │ 보따리 – 안개를 좇다
Single Channel Video
4:34 loop, Silent
Edition of 6 plus 1 artist's proof
Bottari – Zócalo
Bottari – Zócalo │ 보따리 – 조칼로
Single Channel Video
3:18 loop, Silent
Edition of 4 plus 2 artist's proofs
A Beggar Woman – Mexico City
A Beggar Woman – Mexico City │ 구걸하는 여인 – 멕시코 시티
Performance Video
Single Channel, 8:50 loop, Silent
A Homeless Woman – Delhi
A Homeless Woman – Delhi │ 집 없는 여인 – 델리
C-Print
90.5 x 134 cm
Edition of 8 plus 4 artist's proofs
Performance in 2000, Delhi, India
A Homeless Woman – Delhi
A Homeless Woman – Delhi │ 집 없는 여인 – 델리
Performance Video
Single Channel, 6:33 loop, Silent
Edition of 4 plus 2 artist's proofs
A Needle Woman – Kitakyushu, 1999/2000
A Needle Woman – Kitakyushu │ 바늘여인 – 기타큐슈
C-Print
90.5 x 134 cm
Edition of 8 plus 4 artist's proofs
Performance in 1999, Kitakyushu, Japan
This portrait of the artist was taken during her performance in Kitakyushu, Japan. Kimsooja’s body follows the curvature of the rock, becoming a line that connects and divides the earth and the sky. By lying faced away on the edge of nature, she places her horizontal body against the viewers’ standing behind. Kimsooja considers her body as an axis through which movement and stillness, self and others, horizontality and verticality are measured. It is a symbolic cross, or a crossing of dualistic realities. This performance also takes place in nature in relation to her first performance, A Needle Woman (1999), presented in the Studio, where she stands still against waves of crowds in different cities.
이 작품은 김수자가 일본 기타큐슈에서 수행한 퍼포먼스 중 촬영된 것이다. 작가의 몸은 바위의 곡선을 따라가며 땅과 하늘을 연결하고, 또 그 둘을 가르는 하나의 선이 된다. 자연의 경계에 등을 대고 누운 그녀의 수평적 신체는 그것을 보고 있는 관람자의 수직적 자세와 대비를 이루며 자리한다.
김수자는 자신의 신체를 움직임과 정지, 자아와 타자, 수평성과 수직성을 가늠하는 하나의 축으로 간주한다. 이는 상징적 십자형상이자, 이원적 현실이 교차하는 지점에 대한 은유적 표상이다. 또한 이 퍼포먼스는 스튜디오에서 소개된 그녀의 첫 퍼포먼스 〈바늘여인〉(1999) — 여러 도시의 군중 속에서 정면을 향해 정지해 서 있는 작업 — 과 긴밀히 연관되며, 자연 속에서 이루어지는 또 다른 변주로 읽힌다.
A Laundry Woman – Yamuna River
A Laundry Woman – Yamuna River │ 빨래하는 여인 – 야무나 강
C-Print
90.5 x 134 cm
Edition of 8 plus 4 artist's proofs
Performance in 2000, Yamuna River, India
A Laundry Woman – Yamuna River
A Laundry Woman – Yamuna River │ 빨래하는 여인 – 야무나 강
Performance Video
Single Channel, 10:30 loop, Silent
Edition of 4 plus 2 artist's proofs
E = MC²
Performance
90 minutes, VHS Video Tape
E = MC² reads the sign in the destination box on the front of the bus. The artist’s thinking turned to time-space transformations and the theory of relativity while driving through the widespread area in which the Triennnial was to be held, with its snow shades to protect against heavy snows, its fences to prevent avalanches, and its many tunnels.
A Needle Woman – Kitakyushu
A Needle Woman – Kitakyushu │ 바늘여인 – 기타큐슈
Performance Video
Single Channel, 6:33 loop, Silent
Edition of 4 plus 2 artist's proofs