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Lotus: Zone of Zero
336 Lotus Lanterns, Tibetan, Gregorian and Islamic Chants, Steel Structure, Cables
Dimensions Variable
Photo by Rachel Topham
Retrospective exhibition at Kimsooja / Unfolding, Vancouver Art Gallery, Vancouver, Canada
First exhibited in a different configuration at the Palais Rameau, Lille, 2003, Courtesy Dijon Consortium
To Breathe: Obangsaek
Site-specific Wallpaper Installation
Variable
Photo by Jaeho Chong
Installation at The Lift, the Bloomberg Building, New York, USA
To Breathe – The Flags
To Breathe – The Flags, Series of 12 Video Still Images
Photo by Elizabeth Carecchio
Site-specific Installation at the Marseille-Provence European Capital of Culture 2013: Kimsooja, To Breathe - The Flags, Aix-en-Provence, France
The Bill and Melinda Gates Foundation, Seattle, USA
Site-specific Video Projection at The Bill and Melinda Gates Foundation, Seattle, USA
Courtesy of The Bill and Melinda Gates Foundation
Photo by Kimsooja
(Left to Right)
01 To Breathe: Invisible Mirror / Invisible Needle, 2003-2006, Single Channel Video with Sound from Kimsooja's Voice Performance 'A Weaving Factory'(2004), 10:40 loop (video) / 11:38 loop (sound)
02 A Needle Woman - Patan, Havana, Rio de Janeiro, N 'Djamena, Sanaa, Jerusalem, 2005, 10:40 loop, Silent
Lotus: Zone of Zero
336 Lotus Lanterns, Tibetan, Gregorian, and Islamic Chants, Steel Structure and Cables
Courtesy of Plateau, Samsung Museum, Seoul
Photos 02 - 03 by Sang Tae Kim
Site-specific Installation at Group Exhibition Space Study, Plateau, Samsung Museum, Seoul, Korea, 2011
First exhibited in a different configuration at the Palais Rameau, Lille, 2003, Courtesy Dijon Consortium
Encounter – Looking into Sewing 1998/2011
Performative Sculpture, Used Korean Bedcovers, Mannequin
Courtesy Kimsooja Studio and Kewenig Galerie, Berlin
Photo by Simon Vogel
Bottari: The Island
Used Korean Bedcovers, Used Japanese Clothes
Dimensions Variable
Courtesy Axel Vervoordt Foundation and Raffaella Cortese Gallery, Milan, Italy
Photo by Jaeho Chong
Site specific Bottari Installation at Group Exhibition Tra: Edge of Becoming, Palazzo Fortuny, Venice, Italy
Mandala – Chant For Auschwitz
Mandala – Chant For Auschwitz │ 만다라 - 아우슈비츠를 위한 성가
Used Clothes, Shoes, Toys, Tibetan Monk Chant
Photos by Adam Ciereszko
Mandala: Zone of Zero, 2004-2010
Mandala: Zone of Zero │ 만다라 – 0의 지점
Single channel mixed media sound installation (One Jukebox, Three Chants Mixed with Tibetan, Gregorian, and Islamic), 9:50, loop
Video filmed by Gilles Coudert
To Breathe: Zuoz
To Breathe: Zuoz │ 호흡 – 추오츠
Diffraction Grating Film on 5 Window
Lotus: Zone of Zero
Lotus: Zone of Zero │ 로투스 – 0의 지점
Approx 2000 Lotus Lanterns, Tibetan, Gregorian, and Islamic Chants, Steel Structure and Cables
Courtesy of the Centre for Fine Arts, Brussels and the Ministry of Culture, Sports and Tourism, Korea;
Photos by Mikåel Falke and Fabrice Kada
First exhibited in a different configuration at the Palais Rameau, Lille, 2003, Courtesy Dijon Consortium
Bottari Tricycle
Used Chinese Tricycle with 21 Bottaris, Used Bedcovers and Used Clothes
110(h)x95x287cm
Unique
Photo by Thierry Depagne
Installation view at Kimsooja, Mumbai: A Laundry Field, Continua Gallery, Le Moulin, France 2009
Bottari Truck – Migrateurs
Bottari Truck – Migrateurs │ 보따리 트럭 – 이민자들
1 ton truck, Bottaris, Bungee Cords
470 x 170 x 200(h)cm
Unique
The House Project – Lofoten Island
The House Project – Lofoten Island │ 하우스 프로젝트 – 로프튼 섬
2008-2013
Filmed at Laukvik, Lofoten, Norway
Photos by Kjell Ove Storvik
The House Project presents an abandoned house in Laukvik, Lofoten Island, Norway as an object in itself, and a platform for multiple related interactive practices. Initially, the artist collaborated with the Loften International Art Festival (LIAF) to purchase an isolated and abandoned house in Lofoten, with the idea that it would be documented, and then renovated into a retreat/residency space.
The house appears to have been abandoned suddenly by its inhabitant, an older fisherman's wife, forty years ago. It has been left with furniture, full of personal objects, memories, and history. After the visiting the house, and discovering this rich personal history embedded within the house and its many contents, the artist decided to keep it as it is. She altered her idea instead to invite people to stay in a nearby guesthouse for the residency, keeping the house as a sanctuary, and as an object.
The artist has been documenting the house in both photographs and video, in every season, and hopes to realize this project as a book project in the end. She also plans to invite writers, artists, musicians, architects, and choreographers to come stay together in the area, and to create a site specific dialogue in relation to the house and its location. This may offer an opportunity of focused contemplation of art works and processes, the place and its surrounding environment.
The project aims, thus, to allow for continuity in the artist's engagement with, and non-intrusive contribution, to the local environment, retaining the mystery of the occupants disappearance, while their stories remain intact.
Sewing into Walking, 1994/2007
Sewing Into Walking │ 바느질하며 걷기
Bottari and Video Installation
Bottari, Used Korean Bedcovers, Used Clothing + Three Channel Video (Kyungju: 19:40 loop, Yangdong Village: 2:41 loop, Mai Mountain: 1:43 loop), Silent
Photo by Toni Hafkenscheid
Respirar – Una Mujer Espejo / To Breathe - A Mirror Woman
Respirar – Una Mujer Espejo / To Breathe – A Mirror Woman │ 호흡 – 거울여인
Site Specific Installation with Diffraction Grating Film, Mirror, The Weaving Factory, 2005(sound performance by the artist)
Courtesy of Museo Nacional Centro de Arte Reina Sofía
Curated by Oliva María Rubio. Coordinated by Mónica Carballas and Rafael García
Photo by Jaeho Chong
To Breathe / Respirare, 2003-2005
To Breathe / Respirare │ 호흡
Single Channel Video with Sound from Kimsooja's Voice Performance A Weaving Factory(2004)
10:40 loop (Video) / 11:38 loop (Sound)
Edition of 6 plus 1 artist's proof
Photo by Luca Campigotto
Mandala: Zone of Zero
Mandala: Zone of Zero │ 만다라 – 0의 지점
Mixed Media Sound Installation (One jukebox, Single Channel Audio of Three Chants: Tibetan, Gregorian, and Islamic), 9:50, loop
Dimensions Variable, Juke box: 81.28cm(dia), 30.48cm(d)
Laundry Woman
A Laundry Woman │ 빨래하는 여인
38 Korean Bedcovers, Wire, Clothespins
Dimensions Variable
Courtesy of Centre D'art Contemporain, Basse-Normandie, and Kimsooja Studio
Photos by Didier Morel
A Laundry Woman
A Laundry Woman │ 빨래하는 여인
3 Korean Bedcover, Wireline, 6 wood clams, 1 Bottari
Dimensions variable
Courtesy of Kimsooja Studio
Photos by Gerassimos Domenikos
Bottari
Bottari │ 보따리
Used Cloth, Wrapping Cloth
A Mirror Woman: The Ground of Nowhere
A Mirror Woman: The Ground of Nowhere │ 거울여인 – 어디에도 없는 땅
57' x 21' diameter, Aluminum Ring, Fine Gauze Cotton, Mirror, Wood
Mandala
Mandala │ 만다라
Mixed Media Sound Installation, Jukebox Speaker, Single-Channel Audio of Tibetan Monks' Chant
Juke box: 81.28cm(dia), 30.48cm(d)
Solarescope
Solarescope │ 솔라레스코프
9 Different Lighting Sequences, 18:00, loop
Lotus: Zone of Zero
Lotus: Zone of Zero │ 로투스 – 0의 지점
307 Lotus Lanterns, Tibetan, Gregorian, and Islamic Chants, Steel Structure and Cables, 6 Speakers
Planted Names
Planted Names │ 심겨진 이름들
Set of 4 Woven Carpets
269x150cm / 338x150cm
A Lighthouse Woman
A Lighthouse Woman │ 등대여인
9 Different Lighting Sequences, 30:00, loop
Dimensions Variable
Photo by Ryan King
Deductive Object
Deductive Object │ 연역적 오브제
Used Korean Bedcovers
Dimensions Variable
A Mirror Woman
A Mirror Woman │ 거울여인
Korean Bedcovers, Mirrored Walls, Four Industrial Fans, Cables, Clothespins, Tibetan Monk's Chant
Dimensions Variable
A Laundry Woman
A Laundry Woman │ 빨래하는 여인
Used Korean Bedcovers
Dimensions Variable